01 - Beg Beg Beg
02 - Black Night
03 - Danger Road
04 - Shelter
05 - We’re Gonna Make It To The End
06 - Stay
07 - Nobody Loves You (Like I Do)
08 - Everybody Wants To Be Someone
09 - I Know What It Takes
10 - Living In A Memory (Bonus Track)
11 - Cast Away
12 - I can’t look the Other Way
13 - Who Will Stop The Rain
14 - Tonight (Bonus Track)
I don’t really know where to start with this album review. Sadly, I don’t think the band really knew where to start with the album either. To me it sounds all a little confused and not sure what it wants to be.
I know, that sounds a bit mean but when I first popped the CD into my stereo I thought, OK, 80’s metal… almost. This could be good. By track 3 I was starting to think that maybe it was rock rather than an attempt at metal. Sadly by track 6 I was fairly convinced I was listening to a soundtrack from 80’s American teen TV. Think “Saved by the Bell” or perhaps “Beverly Hills Cop”.
H.E.A.T. are a six-piece band from Sweden formed in 2007. Their web page describes them as having one foot in the past and the other in the future. I can see the “past” part. I’m having a little trouble seeing the “future” part.
A few too many ballads for my taste but then that is just my personal taste. I was driving along listening to this when comparisons like Go West, Bryan Adams and Huey Lewis & The News started popping into my head, which frankly just annoyed me. I didn’t think much of those guys the first time around and I wasn’t too thrilled at having them dragged from the recesses of my memory.
Somewhere along the line I remember thinking that if Stock, Aitken & Waterman had written rock instead of pop, this is quite possibly what it would have sounded like.
However, having had a good grumble about what I didn’t like, I do also have to say that its entirely possible that said grumbling stems from my general dislike of ballads and easy-listening type rock. There are actually some very redeeming qualities to this album.
Vocalist, Erik Gronwall has a very good voice that’s nice to listen to and he can hold a tune without having to do the bizarre wobble effect that some more well known rock and metal frontmen seem to find necessary. That in itself was refreshing and a big plus for me.
To sum it up, musically it sounds very well executed and vocally superb with some good harmonies but sadly something was just missing for me. I came to the conclusion that it’s 80’s rock that probably would have done well 25 years ago but it just doesn’t cut it for me in 2010.
by Toni Glitz
Visit the H.E.A.T. Website